Theater practitioner

Ayanna Thompson works on Shakespearean productions and new works in equal measures. Because her scholarly research focuses on how race operates in performance and as a performance, she works with theatre companies, directors, and actors to discuss how race (can, should, and does) makes meaning onstage.

Her book Colorblind Shakespeare (Routledge, 2006), analyzed the complex relationship between modern Shakespearean productions and inclusive racial casting, and it has become a canonical book for scholars and practitioners of Shakespeare alike.

Thompson is a Shakespeare Scholar in Residence at The Public Theater, and a board of trustees member of the Royal Shakespeare Company in Stratford-upon-Avon. She has served on the Council of Scholars at Theatre for a New Audience in Brooklyn, NY, since 2017, the board of Play On Shakespeare since 2020, and the board for Woolly Mammoth Theater in Washington, DC from 2017-2018.

Productions

  • Dramaturg, Hamlet Hail to the Thief, created by Christine Jones, Steven Hoggett, and Thom Yorke — The Factory and the Royal Shakespeare Company (U.K.), 2025

  • Dramaturg & Text Consultant, Romeo & Juliet, dir. Sam Gold, starring Kit Connor and Rachel Zegler — Circle in the Square, New York (Broadway), 2024

  • Creative Consultant, Uncle Vanya, dir. Lila Neugebauer, starring Steve Carell, Alfred Molina, and Alison Pill — The Vivian Beaumont Theater (Broadway), 2024

  • Dramaturg, The Fires, written and directed by Raja Feather Kelly — Soho Rep, New York (Off Broadway), 2024

  • Dramaturg & Text Consultant, MACBETH, dir. Sam Gold, starring Daniel Craig & Ruth Negga — Lyceum Theater, New York (Broadway), 2022 

  • Dramaturg, RICHARD III, dir. Robert O’Hara — Public Theater, New York (Off Broadway), 2022

  • Dramaturg, SUFFS, dir. Leigh Silverman, written by Shaina Taub — Public Theater, New York (Off Broadway), 2022 

  • Dramaturg, THE MERCHANT OF VENICE, dir. Arin Arbus — Theatre for a New Audience, New York (Off Broadway), 2022

  • Shakespeare Scholar, MERRY WIVES, dir. Saheem Ali — The Delacorte Theater, New York (Off Broadway), 2021 

  • Shakespeare Scholar, ROMEO Y JULIETA, dir. Saheem Ali — WNYC & The Public, Free Shakespeare on the Radio, 2021 

  • Shakespeare Scholar, RICHARD II, dir. Saheem Ali — WNYC & The Public, Free Shakespeare on the Radio, 2020 

Public work

  • Public Square - Richard II - A Podcast of the Public Theater

    Multi-hyphenate artist Alec Stephens III sits down with Richard II director Saheem Ali and scholar Ayanna Thompson to interrogate the relevance of Shakespeare work amidst a pandemic and the surge of the Black Lives Matter movement, and why shifting from a stage production to a radio play may be the future for audience accessibility.

  • A Thousand Dreadful Things: Shakespeare and the Fear of Black Vengeance - The Public Theater

    A look at Aaron the Moor from Titus Andronicus, the presentation of Blackness, and the question of vengeance on Shakespeare's stage. Featuring conversation and readings from the plays by Ron Cephas Jones (This is Us), who played Aaron at The Public Theater, William Jackson Harper (The Good Place), and Public Theater Shakespeare Scholar in Residence Ayanna Thompson.

  • Exploring 'Othello' in 2020 with Red Bull Theater

    Over the course of four Wednesday afternoons in October 2020, Red Bull Theater brought together a group of BIPOC (black, Indigenous and people of color) theater artists to read and discuss Shakespeare’s Othello with celebrated Shakespeare scholar, Ayanna Thompson. This series of salon discussions provided an opportunity for the entire Red Bull Theater community to explore Othello with BIPOC voices in our current historic moment.

Interested in working with Ayanna at your theater?